ILLUMINATED CODE FROM SPACE
Bioartis Haari Tesla (behance) - "Macrocosm and microcosm is an ancient Greek Neo-Platonic schema of seeing the same patterns reproduced in all levels of the cosmos, from the largest scale (macrocosm or universe-level) all the way down to the smallest scale (microcosm or sub-sub-atomic or even metaphysical-level). In the system the midpoint is Man, who summarizes thecosmos." - I was doing some researches and I found experiment with miniatures of space so I decided to try my own. The result has been nebulae, galaxies and supernovae transformed into microorganism.
- Write the ending first. This gives you a destination. You may eventually change the ending but having a goal is more helpful than you can imagine.
- Choose your antagonist before you choose your protagonist. Beginner writers tend to either have a story idea without an antagonist, or they create one-dimensional villains who do not suit the hero’s story.
- Give your characters physical story goals. A physical story goal is one that can be experienced through the five senses. Your protagonist and antagonist should have story goals in opposition to one another.Example: The villain wants to destroy the hero’s company. The hero wants to save his company. The intangible story goals, such as ambition or finding inner strength, will be revealed as a result of this conflict.
- Decide on a genre and stick to it. It is disappointing to a reader if he or she picks up a romance novel and it turns into a serial killer thriller. Research genre expectations, word count, etc.
- Write a synopsis. This should not be longer than two pages. Tell the whole story. Do not include back story. If you cut out unnecessary details here you will save time. You will also be able to stick to the story. It sounds romantic when writers say they let the characters show them the story. I have found these writers seldom finish novels as they are always trying out new things. This sounds creative but it is disheartening when you are trying to become a published author.
- Be disciplined with settings. Introduce major settings in the first quarter of your book. It is unnerving when authors introduce a new setting a few chapters from the end of the novel.
- Stick to two supporting characters. Amalgamate extra characters into one person. Your protagonist does not need three best friends and five love interests. The rules of story-telling require simplicity. Readers get bored when they are introduced to too many characters in one book.
- Break your story into scenes. Become a film director and construct the scenes. Ruthlessly cut out any you don’t need to move the story forward.
- Wrap it up and write ‘The End’. End the story as soon after your protagonist has achieved his or her story goal as possible. Don’t explain what has happened and summarise the plot. Your reader is not stupid.
- He wins but… The best endings in commercial and literary fiction, as well as memoirs, are when the protagonist achieves his story goal but… Examples: Clarice Starling catches Buffalo Bill in The Silence of the Lambs but Hannibal escapes; The pigs take over the farm from the humans in Animal Farm but they have become indistinguishable from them; In Long Walk To Freedom, Nelson Mandela achieves a free South Africa but ends the book with the message that there is another long walk ahead.